admin 管理员组文章数量: 1086019
2024年6月26日发(作者：异步电动机工作条件)
梵高向鸢尾花英文作文
This is a very beautiful work. Van Gogh seems to like to
paint this kind of plant as much as he likes sunflowers. The
brilliant blue and purple iris in the picture is very prominent，
and its flower shape is just like a group of dancing butterflies；
The author skillfully made a low-key treatment of its lush
pink green leaves and set off the vivid and spiritual iris with
the flowers and plants in the distance；
In addition， the red earth on the ground breaks the tone
of the cold color of the picture， making the color contrast
strong and harmonious， full of rhythm， and the tone is
extremely bright， which just reflects his "brighter， brighter！
" The whole picture is full of vitality and fresh breath.
Iris is a very ordinary plant， but Van Gogh endows it with
wonderful images and colors and eternal vitality. This is the
praise of the painter who spent his life in pain and
helplessness to nature and his yearning for a better life.
The iris flowers he painted are so lovely that some people
even think they are more beautiful and real than real flowers.
The active area of iris is placed in a large area gradually
inclined from the top right to the bottom. Flowers do not have
a regular growth direction， and each flower has its own posture
- but it is a posture similar to struggle， and it seems to want
to break away from some invisible bondage.
These flowers moving in all directions occupy most of the
picture against the backdrop of the not bright green flowers
and leaves.
The most striking thing in iris is the large white iris on
the left side of the picture. Instead of being surrounded by
the stars and the moon， he chose to be like an outsider， alone
and quietly.
It is a long distance from the blue and purple iris flower
that is important in the blooming picture and the marigold that
is set off behind it - loneliness and a little deliberate
seclusion. This is an obvious Gauguin style of composition，
which is particularly eye-catching.
Some critics wrote： "such brilliant white flowers， set
off by other colors， appear particularly vivid and playful，
and add a trace of vitality to the whole painting."
In iris flower， the flowers on the screen seem strange.
However， when you taste them carefully， the strong smell wafts
through your nose. It seems that the faint， intermittent and
legendary "smell" is engraved on your painting plate and your
heart， and then dances lightly. Just like people's hearts，
silent expectations and shallow memories of blue and purple.
It is also very much like the youth that people will bloom，
flying and burning in the fiery years， although it will be
exhausted.
But the beauty， the light and the vitality are like
volcanoes in the freshness of your eyes. It is showing off and
joy， catharsis and willfulness， that kind of memory， that
unforgettable. Perhaps people in the replay of history， in the
chain of biological evolution， seem to have forgotten the
lonely corner， gloomy attic and deep world in the past.
But only with the eyes of admiration， I can feel Van Gogh
and his loneliness， loneliness and death.
Only by the fixed frame of this paper painting， we have
abandoned Van Gogh's blue and purple melancholy and greyish
brown sadness， and also abandoned people's soul and guilt for
their heartache， again and again， day after day， forever and
ever.
Among Van Gogh's flower works， which either have a rising
brush technique or a simple layout， the iris， which is not
the most famous but has a rather outstanding overall picture
sense， has a claustrophobic composition， thick colors，
flexible and full strokes， and a delicate and sensitive
painting perspective.
The rich blue and purple petals， the large green pointed
long leaves， the scattered yellow stamens， the marigold that
grows luxuriantly with them， and the brick red soil under the
flowers are all different and integrated.
When watching Van Gogh's works， careful people will notice
that the composition method of "forward contraction" is to
highlight the main painted object but control it in a certain
area， and then make a big contribution on the background， so
that the picture looks more longitudinal and spatial.
Moreover， the St. Remy period was the most absolute period
of Van Gogh's requirements for coloring. The so-called
"absolute" means absolutely bright and bright. If you want to
express red， it is definitely the red with the strongest color
sense. If you want to express green， it is the most verdant
and rich green.
版权声明：本文标题：梵高向鸢尾花英文作文 内容由网友自发贡献，该文观点仅代表作者本人， 转载请联系作者并注明出处：http://roclinux.cn/p/1719389719a735394.html， 本站仅提供信息存储空间服务，不拥有所有权，不承担相关法律责任。如发现本站有涉嫌抄袭侵权/违法违规的内容，一经查实，本站将立刻删除。
发表评论